Is copyright law effective in achieving its intended purpose of incentivizing creativity? Professor Peter DiCola of Northwestern University Law School is the author of an interesting new study, Money from Music: Survey Evidence on Musicians’ Revenue and Lessons About Copyright Incentives.
Professor DiCola once named Sufjan Stevens’ Illinois album as the best album of the prior decade. (http://www.thecontrarianmedia.com/2009/12/8717). Professor Peter DiCola showed perfect judgment in that regard. So I pay attention to his work.
Continue reading “Money Matters – A New Report on How Money is Made in Music”
The American Bar Association publication Landslide asked several lawyers to write about aspects of representing clients in the arts. My contribution (below) is in the January-Februrary 2013 issue.
Artists have one thing that many others don’t have: What they do, how they think, and what they create is imbued with creativity and specialness. For example, bankers won’t keep on banking without a payout, but devoted musicians and painters work all the time in basements, garages, and clubs. How do we reconcile this intrinsic specialness with business and law in a highly practical way where money might not always be everything?
Continue reading “Artists, Lawyers, and Specialness”